Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 57
... reason why the symbolic landscape in the Villeneuve - Avignon Pietà does not seem to belong to the persons who inhabit it . Instead of the double experience of gothic art - the tension be- tween realistic anecdote and the symbolic ...
... reason why the symbolic landscape in the Villeneuve - Avignon Pietà does not seem to belong to the persons who inhabit it . Instead of the double experience of gothic art - the tension be- tween realistic anecdote and the symbolic ...
Page 121
... reason . But te every reason is built upon the quaking foundation of a preceding reason : “ so here we are retreating back- wards to all eternity . " Montaigne , too , has a “ subjec- tive " relation to his world , since our senses give ...
... reason . But te every reason is built upon the quaking foundation of a preceding reason : “ so here we are retreating back- wards to all eternity . " Montaigne , too , has a “ subjec- tive " relation to his world , since our senses give ...
Page 289
... reason , which are contours in the mind itself . Yet both Descartes and Locke turn inward upon the theater of the spirit , a theater where Racine achieved his extremities of con- sciousness . Descartes , Locke , and Racine - each in a ...
... reason , which are contours in the mind itself . Yet both Descartes and Locke turn inward upon the theater of the spirit , a theater where Racine achieved his extremities of con- sciousness . Descartes , Locke , and Racine - each in a ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin