Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 38
Page 21
... proportions ; these proportions , harmoniously conceived , strongly integrate the whole design and emphasize the coherence of the vision . In any event , it is clear that Spenser's Faerie Queene does not have either the broad " organic ...
... proportions ; these proportions , harmoniously conceived , strongly integrate the whole design and emphasize the coherence of the vision . In any event , it is clear that Spenser's Faerie Queene does not have either the broad " organic ...
Page 61
... proportion , whether that proportion expresses itself in the " regularity " of drama and epic , the " uni- fied ... proportions makes the component parts re- act simultaneously so that they can be seen at one and the same time both ...
... proportion , whether that proportion expresses itself in the " regularity " of drama and epic , the " uni- fied ... proportions makes the component parts re- act simultaneously so that they can be seen at one and the same time both ...
Page 127
... proportions ; the small side doors are huddled up against the central door , and the double engaged pilasters move inward away from the receding wings of this façade ; these wings support the shrunken awkward brackets intended to make a ...
... proportions ; the small side doors are huddled up against the central door , and the double engaged pilasters move inward away from the receding wings of this façade ; these wings support the shrunken awkward brackets intended to make a ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin