Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 4
... poetry of " magniloquence " ( really baroque ) and the earlier " metaphysical " poetry of tough " wit " ( really manner- ist ) . In America the " new " critics , indoctrinated by I. A. Richards as well as Eliot , promptly gave them ...
... poetry of " magniloquence " ( really baroque ) and the earlier " metaphysical " poetry of tough " wit " ( really manner- ist ) . In America the " new " critics , indoctrinated by I. A. Richards as well as Eliot , promptly gave them ...
Page 97
... poetry is not painting , that each utilizes only its own technique , does not reckon with these interferences , these renaissance interchanges and correspondences between painting , relief , archi- tecture , poetry , and music . Alberti ...
... poetry is not painting , that each utilizes only its own technique , does not reckon with these interferences , these renaissance interchanges and correspondences between painting , relief , archi- tecture , poetry , and music . Alberti ...
Page 165
... poetry and faith could really be re- leased in the concrete image , then the tensions would be reduced by that image . We shall postpone discuss- ing poetry , but must observe at once that the Council of Trent distrusted the very images ...
... poetry and faith could really be re- leased in the concrete image , then the tensions would be reduced by that image . We shall postpone discuss- ing poetry , but must observe at once that the Council of Trent distrusted the very images ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin