Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 118
... poem opens with a condescending extravagant praise of Marvell's mistress , whose eyes , forehead , and breasts deserve centuries of adoration . But ( and the poem swivels abruptly to a sardonic perspective on himself and this coy ...
... poem opens with a condescending extravagant praise of Marvell's mistress , whose eyes , forehead , and breasts deserve centuries of adoration . But ( and the poem swivels abruptly to a sardonic perspective on himself and this coy ...
Page 120
... poets alike defy rules of pro- portion and perspective to satisfy the needs of their subjective view of reality . One of the reasons it is dif- ficult to define the mannerist style is that each paint- ing , statue , façade , each poem ...
... poets alike defy rules of pro- portion and perspective to satisfy the needs of their subjective view of reality . One of the reasons it is dif- ficult to define the mannerist style is that each paint- ing , statue , façade , each poem ...
Page 169
... poem . Again , if the poem exploits the senses , it is not resolved within the medium of the senses . Yet mannerist art has a " passionate naturalism " ( na- turalisme passionné says Focillon ) -not only Cellini's , but also in Saint ...
... poem . Again , if the poem exploits the senses , it is not resolved within the medium of the senses . Yet mannerist art has a " passionate naturalism " ( na- turalisme passionné says Focillon ) -not only Cellini's , but also in Saint ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin