Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 28
... perspective - was always tending to counteract " deep " perspective , thus creating a tension between seeing in planes and seeing in funnel - like recession . Then too , a conceptual or hierarchical per- spective , essentially medieval ...
... perspective - was always tending to counteract " deep " perspective , thus creating a tension between seeing in planes and seeing in funnel - like recession . Then too , a conceptual or hierarchical per- spective , essentially medieval ...
Page 71
... perspective , using " bifocal " constructions like the vanishing area or vanishing axis . Consequently the perspective of painters like Fouquet is " empirical , " having great optical freedom within an inconsistent space and keeping man ...
... perspective , using " bifocal " constructions like the vanishing area or vanishing axis . Consequently the perspective of painters like Fouquet is " empirical , " having great optical freedom within an inconsistent space and keeping man ...
Page 79
... perspective is " deeper " than in other ren- aissance theaters . Shakespeare's plays preserve , as a re- siduum from the medieval drama , perhaps , the half- subjective empirical perspective that generates imaginative dimensions rather ...
... perspective is " deeper " than in other ren- aissance theaters . Shakespeare's plays preserve , as a re- siduum from the medieval drama , perhaps , the half- subjective empirical perspective that generates imaginative dimensions rather ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin