Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 35
Page 276
... passion was not only a mode of behavior according to a certain protocol , as it was in heroic plays by Dryden and Corneille ; it was also a manipulating of feature , gesture , and pose . In prescribing " attitudes " in painting , Le ...
... passion was not only a mode of behavior according to a certain protocol , as it was in heroic plays by Dryden and Corneille ; it was also a manipulating of feature , gesture , and pose . In prescribing " attitudes " in painting , Le ...
Page 278
... passion , but only of contemplation ; and the veins and arteries of the gods do not swell . The nose , adds De Piles , " has no passion which is particular to it . " As usual , Testelin appends to his lecture a Table of Precepts for ...
... passion , but only of contemplation ; and the veins and arteries of the gods do not swell . The nose , adds De Piles , " has no passion which is particular to it . " As usual , Testelin appends to his lecture a Table of Precepts for ...
Page 279
... passion occurs in Dryden's Aureng - Zebe , for when Ari- mant sees Nourmahal approaching in wrath , he says , like any French academician : E The Empress has the antechambers passed , And this way moves with a disorder'd haste ; Her ...
... passion occurs in Dryden's Aureng - Zebe , for when Ari- mant sees Nourmahal approaching in wrath , he says , like any French academician : E The Empress has the antechambers passed , And this way moves with a disorder'd haste ; Her ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin