Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 11
... painting , poetry , or sculpture ; a pattern of recurrence that is , by analogy , similar in a minuet , a rococo panel , a painting by Watteau , Pope's verse in The Rape of the Lock , and a sculpture by Fal- > conet . The tempo in this ...
... painting , poetry , or sculpture ; a pattern of recurrence that is , by analogy , similar in a minuet , a rococo panel , a painting by Watteau , Pope's verse in The Rape of the Lock , and a sculpture by Fal- > conet . The tempo in this ...
Page 27
... painting , for instance , is strong fore- ground framing - a boundary that seems more arbitrary than the foreground framing of the renaissance painter , who does not like to crowd his figures into an unnatu- rally confined space . There ...
... painting , for instance , is strong fore- ground framing - a boundary that seems more arbitrary than the foreground framing of the renaissance painter , who does not like to crowd his figures into an unnatu- rally confined space . There ...
Page 31
... painting . Dur- ing the early renaissance the technical primacy in the arts remained vested in painting largely because the painter inherited certain problems of architectural and sculptural space left unsolved by gothic craftsmen . By ...
... painting . Dur- ing the early renaissance the technical primacy in the arts remained vested in painting largely because the painter inherited certain problems of architectural and sculptural space left unsolved by gothic craftsmen . By ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin