Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 106
... ( mannerism ) and a phase of formal reintegration ( baroque ) . Literary critics have tried to see the relation between the agitated " wit " in Donne's verses and the " magnilo- quence " of Milton's organ voice in Paradise Lost . Here ...
... ( mannerism ) and a phase of formal reintegration ( baroque ) . Literary critics have tried to see the relation between the agitated " wit " in Donne's verses and the " magnilo- quence " of Milton's organ voice in Paradise Lost . Here ...
Page 107
... mannerism in Primaticcio , Tintoretto , and El Greco . However , a genuinely mannerist style , in con- trast to a trivial or superficial " manner " or a strongly personal technique , originates with - or from - a " disso- ciation " of ...
... mannerism in Primaticcio , Tintoretto , and El Greco . However , a genuinely mannerist style , in con- trast to a trivial or superficial " manner " or a strongly personal technique , originates with - or from - a " disso- ciation " of ...
Page 183
... mannerist phase to the splendors of high - baroque struc- tures like Saint Peter's ; and Caravaggio , like Rem- brandt , has a mannerist and a baroque aspect . Both mannerism and baroque are authentic styles ; yet we must always have in ...
... mannerist phase to the splendors of high - baroque struc- tures like Saint Peter's ; and Caravaggio , like Rem- brandt , has a mannerist and a baroque aspect . Both mannerism and baroque are authentic styles ; yet we must always have in ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin