Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 38
Page 48
... light within it was broken up and modulated until both architecture and sculpture were used pictorially . In the high - gothic cathedral , Light is form , since it is admitted to the nave only after it has been patterned by the colored ...
... light within it was broken up and modulated until both architecture and sculpture were used pictorially . In the high - gothic cathedral , Light is form , since it is admitted to the nave only after it has been patterned by the colored ...
Page 49
... light transforms the structure to a pictorial scene . The light falling over and within Amiens is fugi- tive , colorful ; the façade needs dawns , twilights , the gray mists of northern storms . By the close of the thir- teenth century ...
... light transforms the structure to a pictorial scene . The light falling over and within Amiens is fugi- tive , colorful ; the façade needs dawns , twilights , the gray mists of northern storms . By the close of the thir- teenth century ...
Page 249
... light , which is creative energy : Let ther be light , said God , and forthwith Light Etherial , first of things , quintessence pure Sprung from the deep . The tragic ethic of Samson Agonistes is represented by light and dark : the ...
... light , which is creative energy : Let ther be light , said God , and forthwith Light Etherial , first of things , quintessence pure Sprung from the deep . The tragic ethic of Samson Agonistes is represented by light and dark : the ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin