Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 256
... baroque art ; but his third law is a basic premise of late - baroque style : namely , " To every action there is always opposed an equal reaction , " or , in effect , the mutual actions of two bodies upon each other are equal and ...
... baroque art ; but his third law is a basic premise of late - baroque style : namely , " To every action there is always opposed an equal reaction , " or , in effect , the mutual actions of two bodies upon each other are equal and ...
Page 258
... baroque magniloquence had become bom- bast , sound , and fury . The heightening and exuberance of San Carlo alle Quattro Fontane bring no sense of overexertion ; yet there are abundant wealth and power in spite of a scale ... LATE - BAROQUE.
... baroque magniloquence had become bom- bast , sound , and fury . The heightening and exuberance of San Carlo alle Quattro Fontane bring no sense of overexertion ; yet there are abundant wealth and power in spite of a scale ... LATE - BAROQUE.
Page 269
... late - baroque or Augustan tra- dition is , by contrast , primarily psychological " rather than mathematical or rationalist in method and expres- sion . A poet did not have “ true wit " unless he used a certain tact or esprit de finesse ...
... late - baroque or Augustan tra- dition is , by contrast , primarily psychological " rather than mathematical or rationalist in method and expres- sion . A poet did not have “ true wit " unless he used a certain tact or esprit de finesse ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin