Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 166
... imagination , vividly " realizing " and " representing " the situations on which it must focus . The fifth exercise of the First Week is a meditation on hell , requiring the exercitant to see in imagination the length , breadth , and ...
... imagination , vividly " realizing " and " representing " the situations on which it must focus . The fifth exercise of the First Week is a meditation on hell , requiring the exercitant to see in imagination the length , breadth , and ...
Page 205
... imagination of high - baroque , and Michael- angelo , except in his gigantic mad Last Judgment , ✰ never released ... imaginative use of power ; specifically , he learned how to express power through mass . The renaissance artist at his ...
... imagination of high - baroque , and Michael- angelo , except in his gigantic mad Last Judgment , ✰ never released ... imaginative use of power ; specifically , he learned how to express power through mass . The renaissance artist at his ...
Page 210
... imagination- which is no mere " decaying sense " but a rebound of the will itself - can create its own myth by transforming matter to released energy , we must turn to the spec- tacle of the Son of God , that Michaelangelesque image ...
... imagination- which is no mere " decaying sense " but a rebound of the will itself - can create its own myth by transforming matter to released energy , we must turn to the spec- tacle of the Son of God , that Michaelangelesque image ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin