Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 38
... Gothic art is indeed a humanization , filled with modulations of feel- ing , with a grave personal intimacy . Dante's poem has the quality of “ figural realism ” ; his eternal system- both Heaven and Hell - is a framework for concrete ...
... Gothic art is indeed a humanization , filled with modulations of feel- ing , with a grave personal intimacy . Dante's poem has the quality of “ figural realism ” ; his eternal system- both Heaven and Hell - is a framework for concrete ...
Page 43
... art appeared partly because details were congenial to the late - medieval mind , along with nominalism , and partly because gothic art had failed . When in 1144 the builders of the choir at Saint Denis used their ogives , they created ...
... art appeared partly because details were congenial to the late - medieval mind , along with nominalism , and partly because gothic art had failed . When in 1144 the builders of the choir at Saint Denis used their ogives , they created ...
Page 98
... gothic and renaissance styles than Pa- nofsky , and throughout this chapter I have been heavily dependent on his ... art , which in general follows Joan Evans ' many studies of romanesque and gothic art ( and also her more inclusive ...
... gothic and renaissance styles than Pa- nofsky , and throughout this chapter I have been heavily dependent on his ... art , which in general follows Joan Evans ' many studies of romanesque and gothic art ( and also her more inclusive ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin