Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 56
... gives to illusions a new kind of power frightening to those neo - Thomists who have accused the renaissance of letting loose the great beast Beauty to prey on man and art . The renaissance painter did , indeed , give " a higher ...
... gives to illusions a new kind of power frightening to those neo - Thomists who have accused the renaissance of letting loose the great beast Beauty to prey on man and art . The renaissance painter did , indeed , give " a higher ...
Page 174
... gives to the elegiac formula with its mon- dain air of sophisticated and vocal grief a very private and expressive accent . Lycidas must not float unwept : but clearly this poetic occasion does not account for Milton's disturbance any ...
... gives to the elegiac formula with its mon- dain air of sophisticated and vocal grief a very private and expressive accent . Lycidas must not float unwept : but clearly this poetic occasion does not account for Milton's disturbance any ...
Page 202
... gives a similar impression of great masses in motion ; enormous white columns are so densely grouped that they appear to be doubled ; at the same time they majestically bound and emphasize the oval arms which are the chapels . Borromini ...
... gives a similar impression of great masses in motion ; enormous white columns are so densely grouped that they appear to be doubled ; at the same time they majestically bound and emphasize the oval arms which are the chapels . Borromini ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin