Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 117
... forces of the Protestant era - forces that played through politics and commerce as well as faith , and diverted the course of history on two continents . Luther burned the Papal bull in 1520. Rome itself was sacked in 1527 by the army ...
... forces of the Protestant era - forces that played through politics and commerce as well as faith , and diverted the course of history on two continents . Luther burned the Papal bull in 1520. Rome itself was sacked in 1527 by the army ...
Page 201
... force , of inertia , of weight , mass , and motion , entered physics with Galileo , who measured the ve- locity of balls ... forces in baroque physics , matter having " mass ” as well as " weight , " and obeying a principle of " motion ...
... force , of inertia , of weight , mass , and motion , entered physics with Galileo , who measured the ve- locity of balls ... forces in baroque physics , matter having " mass ” as well as " weight , " and obeying a principle of " motion ...
Page 262
... forces in the Spanish Stairs . The forces in Restora- tion comedy of manners are equally artificial and schematic . The late - baroque dialectic is clamorously used in Dryden's heroic plays with their " bulky and contrasting masses ...
... forces in the Spanish Stairs . The forces in Restora- tion comedy of manners are equally artificial and schematic . The late - baroque dialectic is clamorously used in Dryden's heroic plays with their " bulky and contrasting masses ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin