Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 169
... flesh ; but the flesh is false , and there is no resolution . There is only the dramatic moment , in isolation , and a desperate conclusion that Love is a growing , or full constant light ; And his first minute , after noone , is night ...
... flesh ; but the flesh is false , and there is no resolution . There is only the dramatic moment , in isolation , and a desperate conclusion that Love is a growing , or full constant light ; And his first minute , after noone , is night ...
Page 187
... flesh and experience in the soul . Thus the mannerist consciousness dealt equivocally , if viv- idly , with the body , and the ascetic , constrained , trou- bled forms of mannerist art and piety testify that neither Saint Teresa , El ...
... flesh and experience in the soul . Thus the mannerist consciousness dealt equivocally , if viv- idly , with the body , and the ascetic , constrained , trou- bled forms of mannerist art and piety testify that neither Saint Teresa , El ...
Page 198
... flesh . As a result , Paradise Lost is more successful as a poem than as theology , for it is a noble act of worship of the Counter - Reformation image - not the image of saints , but of ... Flesh of Flesh , Bone of my bone thou 198 BAROQUE.
... flesh . As a result , Paradise Lost is more successful as a poem than as theology , for it is a noble act of worship of the Counter - Reformation image - not the image of saints , but of ... Flesh of Flesh , Bone of my bone thou 198 BAROQUE.
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin