Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 38
... feel- ing , with a grave personal intimacy . Dante's poem has the quality of “ figural realism ” ; his eternal ... feels desire and pain and the sting of memory . In this sense the Middle Ages had a double vision of reality , presenting ...
... feel- ing , with a grave personal intimacy . Dante's poem has the quality of “ figural realism ” ; his eternal ... feels desire and pain and the sting of memory . In this sense the Middle Ages had a double vision of reality , presenting ...
Page 204
... feel Some rouzing motions in me which dispose To something extraordinary my thoughts . This day will be remarkable ... feels the mannerist paralysis in Meas- ure for Measure ( where everyone is " at war ' twixt will and will not " ) he ...
... feel Some rouzing motions in me which dispose To something extraordinary my thoughts . This day will be remarkable ... feels the mannerist paralysis in Meas- ure for Measure ( where everyone is " at war ' twixt will and will not " ) he ...
Page 231
... feel . But we close Samson with a firm sense of resignation and settlement : Nothing is here for tears , nothing to wail , Or knock the breast , no weakness , no contempt , Dispraise , or blame , nothing but well and fair , And what may ...
... feel . But we close Samson with a firm sense of resignation and settlement : Nothing is here for tears , nothing to wail , Or knock the breast , no weakness , no contempt , Dispraise , or blame , nothing but well and fair , And what may ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin