Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 39
... double experience , beginning in the senses and perfected in the understanding . But in the f mid - thirteenth century the nominalist Roger Bacon . ( c . 1214-94 ) used the term " double experience " as if he were already writing about ...
... double experience , beginning in the senses and perfected in the understanding . But in the f mid - thirteenth century the nominalist Roger Bacon . ( c . 1214-94 ) used the term " double experience " as if he were already writing about ...
Page 138
... double meaning , the ambiguity , is the tactic of mannerist verse . The evil effects of casuistry later provoked Pascal to write his bitter Provincial Letters attacking the Jesuits as dishonest and opportunist . Though Pascal is no man ...
... double meaning , the ambiguity , is the tactic of mannerist verse . The evil effects of casuistry later provoked Pascal to write his bitter Provincial Letters attacking the Jesuits as dishonest and opportunist . Though Pascal is no man ...
Page 294
... double possibilities and perilous alternatives . Thus their taking a certain position , after this self - ex- amination , is decisive ; they reach their " chosen❞ fate by way of the internal dialogue , the insistent question- ing of ...
... double possibilities and perilous alternatives . Thus their taking a certain position , after this self - ex- amination , is decisive ; they reach their " chosen❞ fate by way of the internal dialogue , the insistent question- ing of ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin