Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 74
... direction ; they have an angle on the past . Shakespeare's history plays , too , have a sense of the direction and continuity in po- litical tradition . However imprecise these history plays were , the Elizabethan theater had its own ...
... direction ; they have an angle on the past . Shakespeare's history plays , too , have a sense of the direction and continuity in po- litical tradition . However imprecise these history plays were , the Elizabethan theater had its own ...
Page 157
... direction required by the emotion it is meant to express or else towards the ac- tion of the hands . • Wrested into foreshortenings , overlappings , and spi- rals , the mannerist flamelike statue cannot be satisfac- torily seen from any ...
... direction required by the emotion it is meant to express or else towards the ac- tion of the hands . • Wrested into foreshortenings , overlappings , and spi- rals , the mannerist flamelike statue cannot be satisfac- torily seen from any ...
Page 215
... direction " express a trium- phant will breaking through stately boundaries . In Spengler's opinion baroque space is ... directions , ba- roque space is a majestic reorganization and conquest of space by impelling will . The calm space ...
... direction " express a trium- phant will breaking through stately boundaries . In Spengler's opinion baroque space is ... directions , ba- roque space is a majestic reorganization and conquest of space by impelling will . The calm space ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin