Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 21
... color , and light serve to define the structure of individual forms , whereas in " relatively clear " composition color and light have their own value and are not used simply to define contours or objects . In relatively clear styles ...
... color , and light serve to define the structure of individual forms , whereas in " relatively clear " composition color and light have their own value and are not used simply to define contours or objects . In relatively clear styles ...
Page 27
... color " and " tonal value ” in painting , since there is a difference between the brilliance of the hues of pigments and the " tonal relation " between pigments , which establishes light- and - dark values . Tonal value can arise from ...
... color " and " tonal value ” in painting , since there is a difference between the brilliance of the hues of pigments and the " tonal relation " between pigments , which establishes light- and - dark values . Tonal value can arise from ...
Page 96
... color of Titian's painting , where all transformations occur , where all known values are changed to other values . Giorgione's pastoral landscapes are filled with transformations : the contours of hills , the intervals of space , the ...
... color of Titian's painting , where all transformations occur , where all known values are changed to other values . Giorgione's pastoral landscapes are filled with transformations : the contours of hills , the intervals of space , the ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin