Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 21
... classic in repose and proportions ; these proportions , harmoniously conceived , strongly integrate the whole design and emphasize the coherence of the vision . In any event , it is clear that Spenser's Faerie Queene does not have ...
... classic in repose and proportions ; these proportions , harmoniously conceived , strongly integrate the whole design and emphasize the coherence of the vision . In any event , it is clear that Spenser's Faerie Queene does not have ...
Page 38
... classic forms without classic intents ; yet gothic art and science alike cause us to suspect that the " revelation of nature " during the renaissance was , from another point of view , only a survival and transformation of the strong ...
... classic forms without classic intents ; yet gothic art and science alike cause us to suspect that the " revelation of nature " during the renaissance was , from another point of view , only a survival and transformation of the strong ...
Page 228
... classic " plays of Aeschylus or Sophocles , but in The Trachinian Maidens with its maddened Heracles , or in the ex- cesses of Euripides . Only the structure of Milton's play is classic , not the temper . Samson knows himself , like any ...
... classic " plays of Aeschylus or Sophocles , but in The Trachinian Maidens with its maddened Heracles , or in the ex- cesses of Euripides . Only the structure of Milton's play is classic , not the temper . Samson knows himself , like any ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin