Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 39
... century the nominalist Roger Bacon . ( c . 1214-94 ) used the term " double experience " as if he were already writing about a modern " dissociation of sensibility " : • experience is double : one is by means of the exterior senses ...
... century the nominalist Roger Bacon . ( c . 1214-94 ) used the term " double experience " as if he were already writing about a modern " dissociation of sensibility " : • experience is double : one is by means of the exterior senses ...
Page 279
... century . Reynolds and the eighteenth - century academicians inherit this dogma of the mechanics of expression , which is a theory parallel to the deterministic psychology developed by Locke , Hartley , Condillac , and the ...
... century . Reynolds and the eighteenth - century academicians inherit this dogma of the mechanics of expression , which is a theory parallel to the deterministic psychology developed by Locke , Hartley , Condillac , and the ...
Page 288
... century inwardness and immediacy ; and just as the Cartesian mechanism of passion gave Racine his theatrical visage , the Cartesian spirit touches the Racinian spirit in its intensity of self - aware- ness . However , in Descartes self ...
... century inwardness and immediacy ; and just as the Cartesian mechanism of passion gave Racine his theatrical visage , the Cartesian spirit touches the Racinian spirit in its intensity of self - aware- ness . However , in Descartes self ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin