Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 76
... body are bound together . " The tyranny of this law of probability at last reduced the structure of renaissance " regular " drama to an im- itation of life seen from a designated point of view- the artificial perspective of a pseudo ...
... body are bound together . " The tyranny of this law of probability at last reduced the structure of renaissance " regular " drama to an im- itation of life seen from a designated point of view- the artificial perspective of a pseudo ...
Page 136
... body of the priest illustrates the contradictions in mannerist paint- ing . In his Transporting the Body of Saint Mark ( Venice , Accademia ) Tintoretto drives his space into a coulisse or vortex ; by technical daring he fixes a central ...
... body of the priest illustrates the contradictions in mannerist paint- ing . In his Transporting the Body of Saint Mark ( Venice , Accademia ) Tintoretto drives his space into a coulisse or vortex ; by technical daring he fixes a central ...
Page 188
... body and blood of Christ , which are eaten and drunk in perform- ing the sacrament . At the consecration of the host , the Council insisted , “ a conversion takes place of the whole substance of the wine into the substance of His blood ...
... body and blood of Christ , which are eaten and drunk in perform- ing the sacrament . At the consecration of the host , the Council insisted , “ a conversion takes place of the whole substance of the wine into the substance of His blood ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin