Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 95
... become illusions shimmering away into " tonal- ity . " The world does indeed shimmer away in some paintings by Titian , and in most paintings by Tintoretto and Rembrandt . It becomes musical , perhaps , in- stead of being architecture ...
... become illusions shimmering away into " tonal- ity . " The world does indeed shimmer away in some paintings by Titian , and in most paintings by Tintoretto and Rembrandt . It becomes musical , perhaps , in- stead of being architecture ...
Page 96
... becomes echo and motion . Even before Copernicus has imposed his mathematical symmetry upon the universe , Raphael's ... becomes contour , contour becomes space , space becomes mass , mass becomes color . These interferences and ...
... becomes echo and motion . Even before Copernicus has imposed his mathematical symmetry upon the universe , Raphael's ... becomes contour , contour becomes space , space becomes mass , mass becomes color . These interferences and ...
Page 188
... become the very body and blood of Christ , which are eaten and drunk in perform- ing the sacrament . At the consecration of ... becomes spiritual food . During this ceremony , therefore , the spiritual ex- perience can be represented and ...
... become the very body and blood of Christ , which are eaten and drunk in perform- ing the sacrament . At the consecration of ... becomes spiritual food . During this ceremony , therefore , the spiritual ex- perience can be represented and ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin