Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 18
... accepts also the mannerist imbal- ance , and embodies some of the titanism of baroque . Milton's Samson Agonistes is equally composite , deriv- ing from the idealized " grand style " of the high - renais- sance , but transformed by the ...
... accepts also the mannerist imbal- ance , and embodies some of the titanism of baroque . Milton's Samson Agonistes is equally composite , deriv- ing from the idealized " grand style " of the high - renais- sance , but transformed by the ...
Page 147
... accept a psy- chology of " occasionalism " assuming that the body it- self has no power to move but is controlled in ... accepts a desperate concept of human ac- tion so disoriented it can swing erratically through a complete circle of ...
... accept a psy- chology of " occasionalism " assuming that the body it- self has no power to move but is controlled in ... accepts a desperate concept of human ac- tion so disoriented it can swing erratically through a complete circle of ...
Page 253
... accepts a larger scale , keep- ing much of the baroque " augment , " and relies on ideals . of " elevation " and the " grand style " ; but at the same time it has a strengthened sense of " decorum , The " Neoclassical " Tradition 253.
... accepts a larger scale , keep- ing much of the baroque " augment , " and relies on ideals . of " elevation " and the " grand style " ; but at the same time it has a strengthened sense of " decorum , The " Neoclassical " Tradition 253.
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin