Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 174
... Milton is using in a very personal willful way the tradi- tional elegy , just as Michaelangelo , earlier , used the traditional orders of architecture in a willful personal way in the anteroom of the Laurentian Library . Ed- ward King ...
... Milton is using in a very personal willful way the tradi- tional elegy , just as Michaelangelo , earlier , used the traditional orders of architecture in a willful personal way in the anteroom of the Laurentian Library . Ed- ward King ...
Page 198
... Milton concludes that it is divinely made , “ that all things are of God " -or , as baroque scholasticism would have it ( the very Tridentine theologians whom Milton opposed ! ) , when actual existence is given , es- sence is implied ...
... Milton concludes that it is divinely made , “ that all things are of God " -or , as baroque scholasticism would have it ( the very Tridentine theologians whom Milton opposed ! ) , when actual existence is given , es- sence is implied ...
Page 207
... Milton in this rhetoric has discovered the artistic properties of mass . Baroque is a style marked by dense ... Milton's human- ism is the problem of the will , for , as his Christian Doctrine says , " In assigning the gift of free will ...
... Milton in this rhetoric has discovered the artistic properties of mass . Baroque is a style marked by dense ... Milton's human- ism is the problem of the will , for , as his Christian Doctrine says , " In assigning the gift of free will ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin