Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 38
Page 121
... Hamlet's bad dreams , and he seems less damaged than Hamlet by his own curiosity . But he has a great deal of Hamlet's sense of insecurity brought about by living in a world without a known order ; and , like Hamlet or Donne , he has ...
... Hamlet's bad dreams , and he seems less damaged than Hamlet by his own curiosity . But he has a great deal of Hamlet's sense of insecurity brought about by living in a world without a known order ; and , like Hamlet or Donne , he has ...
Page 151
... Hamlet has maximum reactions in many different directions , these reactions having , really , lit- tle to do with the stimuli acting upon him . Dissociated as his psychology is , Hamlet is undeniably dramatic in his capacity to ...
... Hamlet has maximum reactions in many different directions , these reactions having , really , lit- tle to do with the stimuli acting upon him . Dissociated as his psychology is , Hamlet is undeniably dramatic in his capacity to ...
Page 156
... Hamlet walks too much at large and that his vows are mere implorators of unholy suits , breathing like sanc- tified and pious bawds . Denmark is a rotten world , to be sure ; but the instability in this play is Hamlet's own -personal ...
... Hamlet walks too much at large and that his vows are mere implorators of unholy suits , breathing like sanc- tified and pious bawds . Denmark is a rotten world , to be sure ; but the instability in this play is Hamlet's own -personal ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin