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community, worthy to lead the way in the renovation of the Church and the world. And Fra Girolamo's mind never stopped short of that sublimest end: the objects towards which he felt himself working had always the same moral magnificence. He had no private malice - he sought no petty gratification. Even in the last terrible days, when ignominy, torture, and the fear of torture had laid bare every hidden weakness of his soul, he could say to his importunate judges: "Do not wonder if it seems to you that I have told but a few things; for my purposes were few and great.”

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1 "Se vi pare che io abbia detto poche cose, non ve ne maravigliate. perchè le mie cose erano poche e grandi.'

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CHAPTER XXXVI

ARIADNE DISCROWNS HERSELF

T was more than three weeks before the contents of

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the library were all packed and carried away. And Romola, instead of shutting her eyes and ears, had watched the process. The exhaustion consequent on violent emotion is apt to bring a dreamy disbelief in the reality of its cause; and in the evening, when the workmen were gone, Romola took her hand-lamp and walked slowly round amongst the confusion of straw and wooden cases, pausing at every vacant pedestal, every wellknown object laid prostrate, with a sort of bitter desire to assure herself that there was a sufficient reason why her love was gone and the world was barren for her. And still, as the evenings came, she went and went again; no longer to assure herself, but because this vivifying of pain and despair about her father's memory was the strongest life left to her affections. On the twenty-third of December, she knew that the last packages were going. She ran to the loggia at the top of the house that she might not lose the last pang of seeing the slow wheels move across the bridge.

It was a cloudy day, and nearing dusk. Arno ran dark and shivering; the hills were mournful; and Florence with its girdling stone towers had that silent, tomblike look, which unbroken shadow gives to a city seen from above. Santa Croce, where her father lay, was

dark amidst that darkness, and slowly crawling over the bridge, and slowly vanishing up the narrow street, was the white load, like a cruel, deliberate Fate carrying away her father's lifelong hope to bury it in an unmarked grave. Romola felt less that she was seeing this herself than that her father was conscious of it as he lay helpless under the imprisoning stones, where her hand could not reach his to tell him that he was not alone.

She stood still even after the load had disappeared, heedless of the cold, and soothed by the gloom which seemed to cover her like a mourning garment and shut out the discord of joy. When suddenly the great bell in the palace-tower rang out a mighty peal: not the hammer-sound of alarm, but an agitated peal of triumph; and one after another every other bell in every other tower seemed to catch the vibration and join the chorus. And, as the chorus swelled and swelled till the air seemed made of sound little flames, vibrating, too, as if the sound had caught fire, burst out between the turrets of the palace and on the girdling towers.

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That sudden clang, that leaping light, fell on Romola like sharp wounds. They were the triumph of demons at the success of her husband's treachery, and the desolation of her life. Little more than three weeks ago she had been intoxicated with the sound of those very bells, and in the gladness of Florence, she had heard a prophecy of her own gladness. But now the general joy seemed cruel to her: she stood aloof from that common life that Florence which was flinging out its loud exultation to stun the ears of sorrow and loneliness. She could never join hands with gladness again, but only

with those whom it was in the hard nature of gladness to forget. And in her bitterness she felt that all rejoicing was mockery. Men shouted pæans with their souls full of heaviness, and then looked in their neighbours' faces to see if there was really such a thing as joy. Romola had lost her belief in the happiness she had once thirsted for: it was a hateful, smiling, soft-handed thing, with a narrow, selfish heart.

She ran down from the loggia, with her hands pressed against her ears, and was hurrying across the antechamber, when she was startled by unexpectedly meeting her husband, who was coming to seek her.

His step was elastic, and there was a radiance of satisfaction about him not quite usual.

"What! the noise was a little too much for you?" he said; for Romola, as she started at the sight of him, had pressed her hands all the closer against her ears. He took her gently by the wrist, and drew her arm within his, leading her into the saloon surrounded with the dancing nymphs and fauns, and then went on speaking: "Florence is gone quite mad at getting its Great Council, which is to put an end to all the evils under the sun; especially to the vice of merriment. You may well look stunned, my Romola, and you are cold. You must not stay so late under that windy loggia without wrappings. I was coming to tell you that I am suddenly called to Rome about some learned business for Bernardo Rucellai. I am going away immediately, for I am to join my party at San Gaggio to-night, that we may start early in the morning. I need give you no trouble; I have had my

packages made already. It will not be very long before I am back again.”

He knew he had nothing to expect from her but quiet endurance of what he said and did. He could not even venture to kiss her brow this evening, but just pressed her hand to his lips, and left her. Tito felt that Romola was a more unforgiving woman than he had imagined; her love was not that sweet clinging instinct, stronger than all judgements, which, he began to see now, made the great charm of a wife. Still, this petrified coldness was better than a passionate, futile opposition. Her pride and capability of seeing where resistance was useless had their convenience.

But when the door had closed on Tito, Romola lost the look of cold immobility which came over her like an inevitable frost whenever he approached her. Inwardly she was very far from being in a state of quiet endurance, and the days that had passed since the scene which had divided her from Tito had been days of active planning and preparation for the fulfilment of a purpose.

The first thing she did now was to call old Maso to her. "Maso," she said, in a decided tone, "we take our journey to-morrow morning. We shall be able now to overtake that first convoy of cloth, while they are waiting at San Piero. See about the two mules to-night, and be ready to set off with them at break of day, and wait for me at Trespiano."

She meant to take Maso with her as far as Bologna, and then send him back with letters to her godfather and Tito, telling them that she was gone and never meant to return. She had planned her departure so that its secrecy

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