As the waggon entered the frequented streets there was a growing crowd escorting it with its strange burthen. No one knew the bodies for a long while, for the aged face had fallen forward, half-hiding the younger. But before they had been moved out of sight, they had been recognized.

"I know that old man," Piero di Cosimo had testified. "I painted his likeness once. He is the prisoner who clutched Melema on the steps of the Duomo." "He is perhaps the same old man who appeared at supper in my gardens," said Bernardo Rucellai, one of the Eight. "I had forgotten him. I thought he had died in prison. But there is no knowing the truth now."

say,

Who shall put his finger on the work of justice, and "It is there"? Justice is like the kingdom of God it is not without us as a fact, it is within us as a great yearning.

R

CHAPTER LXVIII

ROMOLA'S WAKING

OMOLA in her boat passed from dreaming into long

deep sleep, and then again from deep sleep into busy dreaming, till at last she felt herself stretching out her arms in the court of the Bargello, where the flickering flames of the tapers seemed to get stronger and stronger till the dark scene was blotted out with light. Her eyes opened and she saw it was the light of morning. Her boat was lying still in a little creek; on her right hand lay the speckless sapphire-blue of the Mediterranean; on her left one of those scenes which were and still are repeated again and again like a sweet rhythm, on the shores of that loveliest sea.

In a deep curve of the mountains lay a breadth of green land, curtained by gentle tree-shadowed slopes leaning towards the rocky heights. Up these slopes might be seen here and there, gleaming between the tree-tops, a pathway leading to a little irregular mass of building that seemed to have clambered in a hasty way up the mountain-side, and taken a difficult stand there for the sake of showing the tall belfry as a sight of beauty to the scattered and clustered houses of the village below. The rays of the newly-risen sun fell obliquely on the westward horn of this crescent-shaped nook: all else lay in dewy shadow. No sound came across the stillness; the very waters seemed to have curved themselves there for rest.

The delicious sun-rays fell on Romola and thrilled her gently like a caress. She lay motionless, hardly watching the scene; rather, feeling simply the presence of peace and beauty. While we are still in our youth there can always come, in our early waking, moments when mere passive existence is itself a Lethe, when the exquisiteness of subtle indefinite sensation creates a bliss which is without memory and without desire. As the soft warmth penetrated Romola's young limbs, as her eyes rested on this sequestered luxuriance, it seemed that the agitating past had glided away like that dark scene in the Bargello, and that the afternoon dreams of her girlhood had really come back to her. For a minute or two the oblivion was untroubled; she did not even think that she could rest here for ever, she only felt that she rested. Then she became distinctly conscious that she was lying in the boat which had been bearing her over the waters all through the night. Instead of bringing her to death, it had been the gently lulling cradle of a new life. And in spite of her evening despair she was glad that the morning had come to her again: glad to think that she was resting in the familiar sunlight rather than in the unknown regions of death. Could she not rest here? No sound from Florence would reach her. Already oblivion was troubled; from behind the golden haze were piercing domes and towers and walls, parted by a river and enclosed by the green hills.

She rose from her reclining posture and sat up in the boat, willing, if she could, to resist the rush of thoughts that urged themselves along with the conjecture how far the boat had carried her. Why need she mind?