Come, months, come away, from November to May, In your saddest array; Follow the bier of the dead cold year, And, like dim shadows, watch by her sepulchre. The chill rain is falling, the nipt worm is crawling, For the year; The blithe swallows are flown, and the lizards each gone Come, months, come away; put on white, black, and Spring: Up, follow the bier of the dead cold year, And make her grave green with tear on tear. O Spring! of hope, and love, and youth, and gladness, Thy mother's dying smile, tender and sweet; Thy mother Autumn, for whose grave thou bearest gray, A short time before poor KEATS's death, he told an artist-friend that he thought his intensest pleasure in life had been to watch the growth of flowers; and not long before he died, he said, "I feel the flowers growing over me." "His grave, at Rome, is marked by a little head-stone, on which are carved, somewhat rudely, his name and age, and the epitaph dictated by himself a few days previously 'Here lies one whose name was writ in water,' No tree or shrub has been planted near it, but the daisies, faithful to their buried lover, crowd his small mound with a galaxy of their innocent stars, more prosperous than those under which he lived." It is the prerogative of the poet to extract, by the alembic of his mind, beautiful thoughts and images from the minute and common, as well as the more rare and august aspects of nature. Few things win the poet's love and admiration so deeply as her rich garniture of flowers; for instance, hear Keats's exquisite lines:— A thing of beauty is a joy forever— Its loveliness increases, it will never Pass into nothingness, but still will keep Full of sweet dreams, and health, and quiet breathing! A flowery band to bind us to the earth. His most renowned poem is the Eve of St. Agnes: here are a few stanzas: St. Agnes' eve-ah! bitter chill it was! The owl, for all his feathers, was a-cold; Numb were the Beadman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seemed taking flight for heaven without a death, Past the sweet Virgin's picture, while his prayer he saith. Full on the casement shone the wintry moon, And threw warm gules on Madeline's fair breast, 'J. R. Lowell. Rose-bloom fell on her hands, together prest, And on her silver cross soft amethyst, A casement high and triple-arched it was, Of fruits, and flowers, and bunches of knot-grass, As are the tiger-moth's deep damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings. Now let us turn to the pictorial pages of one of our most picturesque poets, WHITTIER, whose "lyre has been struck to many a stirring note for freedom and human progress." We have the highest authority for ascribing to his muse the attributes of "lyric fervour and intensity combined with a tender and graceful fancy." Our American bard is a true worshipper of Nature, as we see from the following fine passage : The ocean looketh up to heaven, as 'twere a living thing; |