Harper's Magazine, Volume 250Henry Mills Alden, Thomas Bucklin Wells, Lee Foster Hartman, Frederick Lewis Allen Harper & Brothers, 1975 - American literature |
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Page 58
... idea was that half the power of a real- istic painting comes not from the artist but from the sentiments the viewer hauls along to it , like so much mental baggage . According to this the- ory , the museum - going public's love of , say ...
... idea was that half the power of a real- istic painting comes not from the artist but from the sentiments the viewer hauls along to it , like so much mental baggage . According to this the- ory , the museum - going public's love of , say ...
Page 89
... idea of a work of art as something " on a wall " at all ? How very pre - Modern ! How can you treat the wall as something separate from the gallery , the room , the space in which it exists ? And so artists like Carl André , Robert Mor ...
... idea of a work of art as something " on a wall " at all ? How very pre - Modern ! How can you treat the wall as something separate from the gallery , the room , the space in which it exists ? And so artists like Carl André , Robert Mor ...
Page 112
... idea , the idea of the pri- meval house as a touchstone of architecture . It is an amazingly fruitful line of research , leading us from Vitruvius to Gropius , from Ovid to Frank Lloyd Wright . The author presents us , not with a ...
... idea , the idea of the pri- meval house as a touchstone of architecture . It is an amazingly fruitful line of research , leading us from Vitruvius to Gropius , from Ovid to Frank Lloyd Wright . The author presents us , not with a ...
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