Poems: Exploring love, nature, and history in lyrical verses of the Romantic eraSamuel Rogers' "Poems" serves as a quintessential reflection of early 19th-century English poetry, showcasing his mastery of the romantic sensibility intertwined with classical influences. Rogers employs a fluid yet structured verse form, reminiscent of both the pastoral and the elegiac, to explore themes of nature, memory, and the passage of time. His works often cast a contemplative gaze upon the human experience, revealing insights drawn from both personal reflection and broader societal observations, which situate his poetry within the context of his contemporaries like Wordsworth and Coleridge. Rogers' intricate use of imagery and lyricism invites readers into a world where the sublime and the fleeting coalesce, allowing for profound emotional engagement. Samuel Rogers, a notable figure in the literary circles of his time, was not only a poet but also a successful banker and art collector, which informed his aesthetic appreciation and perspective on life. His early exposure to the arts, coupled with his extensive travels in Europe, cultivated a distinctive voice that resonated with the intellectual currents of the Romantic era. His social connections and participation in the literary elite further placed him at the heart of cultural conversations, positioning him uniquely to capture the zeitgeist of his generation. "Poems" is a compelling read for those drawn to the elegance of romantic poetry and the intellectual depth of early 19th-century literature. Rogers' ability to weave together personal introspection with universal themes makes this collection a significant contribution to the canon of English poetry. Readers will find themselves captivated by his lyrical beauty and profound insights, making this collection an essential addition to any literary repertoire. |
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... each other with a certain degree of regularity . They are sometimes excited by sensible objects , and sometimes by an internal operation of the mind . Of the former species is most probably the memory of brutes; and its many sources.
... each other with a certain degree of regularity . They are sometimes excited by sensible objects , and sometimes by an internal operation of the mind . Of the former species is most probably the memory of brutes; and its many sources.
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... mind; and the perception of any object naturally leads to the idea of another, which was connected with it either in time or place, or which can be compared or contrasted with it. Hence arises our attachment to inanimate objects; hence ...
... mind; and the perception of any object naturally leads to the idea of another, which was connected with it either in time or place, or which can be compared or contrasted with it. Hence arises our attachment to inanimate objects; hence ...
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... mind. The School's lone porch, with reverend mosses gray, Just tells the pensive pilgrim where it lay. Mute is the bell that rung at peep of dawn, Quickening my truant-feet across the lawn: Unheard the shout that rent the noontide air ...
... mind. The School's lone porch, with reverend mosses gray, Just tells the pensive pilgrim where it lay. Mute is the bell that rung at peep of dawn, Quickening my truant-feet across the lawn: Unheard the shout that rent the noontide air ...
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... mind, With sighs so sweet, with transports so refin'd? Ethereal Power! whose smile, at noon of night, Recalls the far-fled spirit of delight; Instils that musing, melancholy mood, Which charms the wise, and elevates the good; Blest ...
... mind, With sighs so sweet, with transports so refin'd? Ethereal Power! whose smile, at noon of night, Recalls the far-fled spirit of delight; Instils that musing, melancholy mood, Which charms the wise, and elevates the good; Blest ...
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Contents
THE PLEASURES OF MEMORY PART I | |
NOTES ON THE SECOND PART | |
NOTES | |
Dolce sentier | |
THE SAILOR | |
ON A TEAR | |
ON ASLEEP | |
A FAREWELL | |
ADDITIONAL NOTES | |
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Common terms and phrases
Æneid Æschylus antient Assembly of Evil bids birds blest blue breast breath'd breathe bright CANTO Castilian language cell charm clime Columbus controul Cortes courser dark dead deep delight desert shore dream Duke of Choiseul Euripides fear fled flings Footnote 11 Footnote 9 giv'n glory glows grove hail heart heav'n Hence Herrera hour human voice hung light live lov'd Maximian melt MEMORY mind mov'd murmurs Muse night NOTE g o'er pass'd pensive pleasure resign'd rise rite round rude sacred sail says scene secret seraph shade shifting sail shine shore sigh silent sleep smile song soon soul sphere spirit spring sung sweet swell Table of Contents tears thee thine thou thought thro trembling triumphs truth Twas vales vengeance rise Victor Hirtzler VIRGIL'S tomb voice Voyage wake wave whence wild wind wings youth