Transactions of the Royal Society of Literature of the United KingdomJ. Murray, 1914 - English literature |
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Page 48
... played on the piano appeals to us less when certain of the notes are out of tune . For the purposes of public speaking - let it be platform , pulpit , Law Court or Parliament - we require an undimmed medium for communicating thought 48 ...
... played on the piano appeals to us less when certain of the notes are out of tune . For the purposes of public speaking - let it be platform , pulpit , Law Court or Parliament - we require an undimmed medium for communicating thought 48 ...
Page 63
... plays . When this custom began is uncertain it was earlier than the accession of Eliza- beth , but it received a great stimulus from her love of the drama , and the period of greatest importance of the boy - companies lies within her ...
... plays . When this custom began is uncertain it was earlier than the accession of Eliza- beth , but it received a great stimulus from her love of the drama , and the period of greatest importance of the boy - companies lies within her ...
Page 64
... plays for the children , and John Heywood , who had been trained in the Chapel under Cornish , wrote , from 1523 onwards , several plays which found favour at Court , and formed a bridge between the old moralities and modern comedy . In ...
... plays for the children , and John Heywood , who had been trained in the Chapel under Cornish , wrote , from 1523 onwards , several plays which found favour at Court , and formed a bridge between the old moralities and modern comedy . In ...
Page 65
... Paul's School ( Colet's School ) do not seem to have formed a regular troupe of actors , though they had exhibited before Henry VIII a French and Latin play satiris- ing BOY - ACTORS UNDER THE TUDORS AND STEWARTS . 65.
... Paul's School ( Colet's School ) do not seem to have formed a regular troupe of actors , though they had exhibited before Henry VIII a French and Latin play satiris- ing BOY - ACTORS UNDER THE TUDORS AND STEWARTS . 65.
Page 66
... play satiris- ing Luther . ( c ) The boys of the chapel at Windsor appear first in 1564 as acting in plays ; and for about fifteen years , until 1579 , they acted before the Queen nearly every Christmas . They are not heard of after ...
... play satiris- ing Luther . ( c ) The boys of the chapel at Windsor appear first in 1564 as acting in plays ; and for about fifteen years , until 1579 , they acted before the Queen nearly every Christmas . They are not heard of after ...
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Allingham Amleth ancient appeared Ballyshannon beautiful Blackfriars Theatre boys Brazil Burbage's called Carmen Sylva century child child-spirit Christian Church Coptic Copts Crabbe criticism death E. K. Chambers Earl Eclogues edition Egypt England English expression eyes fairy father feelings France French galley genius George Crabbe ghost give Greek Hamlet heart Irish James Burbage King Lady language later Latin letters literary literature living London Lord Lycidas Lyrical Lyrical Ballads matter Merchant Taylors Meredith Milton mind mother nature never oars passage passion pastoral play players poem poet poetic poetry prose Queen Quincey Quincey's realism religious Richard Burbage rowers seems Shakespeare shepherds ships song soul speak speech spelling spirit Stella story Swift theatre Theocritus things thou thought tion translated trireme Vanessa verse William William Allingham words Wordsworth writings written XXXII young
Popular passages
Page 157 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Page 171 - The observ'd of all observers, quite, quite down ! And I, of ladies most deject and wretched, That suck'd the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled out of tune and harsh; That unmatch'd form and feature of blown
Page 138 - Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu: And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoyed, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloyed, A burning forehead, and a parching tongue.
Page 142 - Hung be the heavens with black, yield day to night ! Comets, importing change of times and states, Brandish your crystal tresses in the sky, And with them scourge the bad revolting stars That have consented unto Henry's death ! King Henry the Fifth, too famous to live long ! England ne'er lost a king of so much worth.
Page 189 - By all the eagle in thee, all the dove; By all thy lives and deaths of love; By thy large draughts of intellectual day And by thy thirsts of love, more large than they; By all thy...
Page 184 - Whinny-muir thou com'st at last : And Christe receive thy saule. If ever thou gavest hosen and shoon, — Every nighte and alle, Sit thee down and put them on ; And Christe receive thy saule.
Page 262 - So, when this loose behaviour I throw off, And pay the debt I never promised, By how much better than my word I am, By so much shall I falsify men's hopes ; And, like bright metal on a sullen ground, My reformation, glittering o'er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off.
Page 204 - I have felt A presence that disturbs me with the joy Of elevated thoughts ; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man : A motion and a spirit, that impels All thinking things, all objects of all thoughts, And rolls through all things.
Page 55 - ... or for him that farms; But when amid such pleasing scenes I trace The poor laborious natives of the place, And see the mid-day sun, with fervid ray, On their bare heads and dewy temples play; While some, with feebler heads and fainter hearts, Deplore their fortune, yet sustain their parts: Then shall I dare these real ills to hide In tinsel trappings of poetic pride?
Page 130 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes Factotum, is in his own conceit the only Shake-scene in a country.