Mornings in Spring: Or, Retrospections, Biographical, Critical, and Historical, Volume 2 |
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Page 8
... nor will the reader forbear to admire the sweet moral pathos which has given an undying charm to the beautiful stanzas on Winter . If we now take a retrospect of our British poetry from the period of Dunbar to the commencement of ...
... nor will the reader forbear to admire the sweet moral pathos which has given an undying charm to the beautiful stanzas on Winter . If we now take a retrospect of our British poetry from the period of Dunbar to the commencement of ...
Page 11
... at home than when painting this beautiful period of the day and year , and his landscapes seem glowing as it were with all the dewy freshness of nature . He tells us , in short , that nothing could withdraw MORNINGS IN SPRING . 11.
... at home than when painting this beautiful period of the day and year , and his landscapes seem glowing as it were with all the dewy freshness of nature . He tells us , in short , that nothing could withdraw MORNINGS IN SPRING . 11.
Page 38
... as a result of the highest probability , that the minstrelsy of the Irish Oisin and his followers was founded on the prior inspira- tion of the bard of Morven ; for it should be re- collected , that at the period when Fingal and his ...
... as a result of the highest probability , that the minstrelsy of the Irish Oisin and his followers was founded on the prior inspira- tion of the bard of Morven ; for it should be re- collected , that at the period when Fingal and his ...
Page 44
... but as conversing with him familiarly , and recurring with conscious pride and pleasure , though mingled with feelings of deep regret , to that happy period of his life when he was the hero as well as the bard of his country .
... but as conversing with him familiarly , and recurring with conscious pride and pleasure , though mingled with feelings of deep regret , to that happy period of his life when he was the hero as well as the bard of his country .
Page 46
It is nevertheless to the opening of The Chase , a legendary poem , which , from its mention of church bells , cannot be attributed to a period earlier than Fingal . the middle ages , that we are indebted for the 46 MORNINGS IN SPRING .
It is nevertheless to the opening of The Chase , a legendary poem , which , from its mention of church bells , cannot be attributed to a period earlier than Fingal . the middle ages , that we are indebted for the 46 MORNINGS IN SPRING .
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Mornings in Spring: Or, Retrospections, Biographical, Critical ..., Volume 2 Nathan Drake No preview available - 2017 |
Common terms and phrases
adds appears approach arms Arthur bard beautiful beneath British called castle character chief church Clifford close cloth countess court Craven daughter death deep earl earl of Cumberland enter eyes fame fate father feeling former friends give given gold hall hand happy head heart heaven Hengist Henry hero Hole honour immediately Inogen interesting Irish Item kind king knight lady land latter length less light lived lord manner March meet mentioned mind morning nature never noble object original Ossian period person picture pleasure poem poet present relates remains remarked says scarcely scene seen shillings side silver sisters Skipton song soon soul speak spirit spring suffer sweet tender thou thought tion voice whilst whole wild youth
Bibliographic information
| Title | Mornings in Spring: Or, Retrospections, Biographical, Critical, and Historical, Volume 2 Mornings in Spring: Or, Retrospections, Biographical, Critical, and Historical, Nathan Drake |
| Author | Nathan Drake |
| Publisher | J. Murray, 1828 |
| Original from | Oxford University |
| Digitized | 12 Mar 2008 |
| Export Citation | BiBTeX EndNote RefMan |