Chamfort and the Revolution: A Study in Form and Ideology, Issue 11

Front Cover
Voltaire Foundation, 2002 - History - 180 pages
S bastien-Roch Nicolas Chamfort remains one of the most enigmatic 'prompters' of the French Revolution. This study analyses his rhetorical and political programmes in tandem to reveal how Chamfort's discourse and politics inform and elucidate one another in both pre-revolutionary and revolutionary periods. It considers his key political texts - his 'Discours l'Acad mie fran aise', Des acad mies, the Tableaux historiques de la R volution fran aise and his posthumous Maximes et pens es, caract res et anecdotes - and exposes how, in each instance, Chamfort's conception of politics hinges on the adoption and subversion of prescribed discursive forms (reception speech, historical tableau, maxim). In the 'Discours' and Des acad mies, Chamfort opposes the implicit discursive norm of le bon usage sanctioned by the Acad mie fran aise, because it represses free expression and at the same time constitutes the Acad mie itself into an oppressive corporation imbued with neo-feudal values. Chamfort's subsequent interpretations of revolutionary events in his Tableaux historiques, while making explicit this same radical libertarianism, frame some reservations about the insurgent peuple as a political force. In the end, many of the tensions troubling Chamfort's politics are resolved by his posthumous Maximes et pens es, whose prevailing principle of honn tet gives them a rhetorical and political independence from both the ancien r gime, centred on notions of honneur, and the revolutionary Republic, founded on a principle of vertu. Previous studies have tended either to interpret Chamfort's works from their historical or biographical context, or - by considering exclusively the Maximes et pens es - to subordinate them to an established literary tradition. This innovative reading posits Chamfort's texts as an exemplary meeting-place of literary practice and political praxis at the time of the Revolution, shedding new light on both the function of literary forms in Chamfort's politics and the role of Chamfort the writer, as an ideological subject caught up in revolutionary events.

From inside the book

Contents

Introduction
1
a study in ideology
38
a study
62
Copyright

4 other sections not shown

Other editions - View all

Common terms and phrases

About the author (2002)

Dr David McCallam is Reader in French Eighteenth-Century Studies at the University of Sheffield, UK. His main areas of research are eighteenth-century French literature (Chamfort, Laclos, Chénier, Sade); eighteenth-century travel writing (Alps, southern Italy, eastern Adriatic); and eighteenth-century environmental humanities (volcanoes, avalanches, clouds).

Bibliographic information