Continuum, Volume 1AMS Press, 1989 - French literature |
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... third [ person ] ) , and Louis Marin ( on Port Royal versus the theater ) . In addition , there will be review - articles by Gérard Defaux , François Rigolot , Donald Stone , Ronald Tobin , Richard Danner , James Gaines and others ...
... third [ person ] ) , and Louis Marin ( on Port Royal versus the theater ) . In addition , there will be review - articles by Gérard Defaux , François Rigolot , Donald Stone , Ronald Tobin , Richard Danner , James Gaines and others ...
Page 122
... third choice , 1 = fourth choice According to Brams's analysis of the payoffs , as expressed in Figure 1 , Esther ... person , if her people are indeed saved without her help ( 2 ) . In these circumstances , as Brams puts it , " Esther's ...
... third choice , 1 = fourth choice According to Brams's analysis of the payoffs , as expressed in Figure 1 , Esther ... person , if her people are indeed saved without her help ( 2 ) . In these circumstances , as Brams puts it , " Esther's ...
Page 165
... man in nature . It is interesting that Pascal in the " Disproportion " initially uses " l'homme " and the third person singular to paint his picture of human suspension in infinity , switching to " nous " in a reflective moment ( " Nous ...
... man in nature . It is interesting that Pascal in the " Disproportion " initially uses " l'homme " and the third person singular to paint his picture of human suspension in infinity , switching to " nous " in a reflective moment ( " Nous ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers