Continuum, Volume 1AMS Press, 1989 - French literature |
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Page 53
... never have been conceived or believed by any single , real human being or group of human beings . Because it is at bottom an after - the - fact montage , the " doctrine " has always been powerless to describe , let alone explain , the ...
... never have been conceived or believed by any single , real human being or group of human beings . Because it is at bottom an after - the - fact montage , the " doctrine " has always been powerless to describe , let alone explain , the ...
Page 59
... never have been made in the absence of a prior view of history as linear development in time , at- tuned to a constant rhythm of differentiation , opposition , and change . Bouhours and his functional belief in the absolute parity of ...
... never have been made in the absence of a prior view of history as linear development in time , at- tuned to a constant rhythm of differentiation , opposition , and change . Bouhours and his functional belief in the absolute parity of ...
Page 182
... never even questioned . Classical dialogisme is distinctly unBakhtinian , and we begin to wonder indeed whether the particular attraction of the dialogue to classical writers was not precisely that it lent to monologic discourse the ...
... never even questioned . Classical dialogisme is distinctly unBakhtinian , and we begin to wonder indeed whether the particular attraction of the dialogue to classical writers was not precisely that it lent to monologic discourse the ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers