Continuum, Volume 1AMS Press, 1989 - French literature |
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Page 53
... human being or group of human beings . Because it is at bottom an after - the - fact montage , the " doctrine " has always been powerless to describe , let alone explain , the intricacies and subtleties of the creative works which are ...
... human being or group of human beings . Because it is at bottom an after - the - fact montage , the " doctrine " has always been powerless to describe , let alone explain , the intricacies and subtleties of the creative works which are ...
Page 89
not the harrowingly aleatory and selective supra - human event it is in Pascal ; it is stably , universally and thus reassuringly intra - human . This is the spirit of Cornelian drama in all but a few of the final plays . Sertorius ...
not the harrowingly aleatory and selective supra - human event it is in Pascal ; it is stably , universally and thus reassuringly intra - human . This is the spirit of Cornelian drama in all but a few of the final plays . Sertorius ...
Page 264
... human welfare was precariously dependent to a greater extent than before on impersonal institutions of power . Maravall creates a fascinating composite picture of the period , drawing from little - studied contemporary sources- sermons ...
... human welfare was precariously dependent to a greater extent than before on impersonal institutions of power . Maravall creates a fascinating composite picture of the period , drawing from little - studied contemporary sources- sermons ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers