Continuum, Volume 1AMS Press, 1989 - French literature |
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Page 179
... genres of the anthology . Genres such as the cento and the florilège , which are composed of a variety of fragments from ... genre of the ana was evidently more suited to classical tastes than the dialogic genres of the cento and the ...
... genres of the anthology . Genres such as the cento and the florilège , which are composed of a variety of fragments from ... genre of the ana was evidently more suited to classical tastes than the dialogic genres of the cento and the ...
Page 239
... genre . What does come across in certain pages of this book is the flavor of a number of individual essays , but so strong is Professor Fraser's emphasis on diversity within the genre that a single " psychology " of the genre - whatever ...
... genre . What does come across in certain pages of this book is the flavor of a number of individual essays , but so strong is Professor Fraser's emphasis on diversity within the genre that a single " psychology " of the genre - whatever ...
Page 240
... genre becomes significantly more encompassing . What strikes me as especially problematic in all this is that , considerations of form aside , the case could reasonably be made that works taken from a variety of genres meet these ...
... genre becomes significantly more encompassing . What strikes me as especially problematic in all this is that , considerations of form aside , the case could reasonably be made that works taken from a variety of genres meet these ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers