Continuum, Volume 1AMS Press, 1989 - French literature |
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Page 65
... dramatic model against which Corneille's critics were prepared to measure his ambitions and accomplishments.23 The condemnation of Le Cid was per- ceived by Corneille , his defenders , and immediate posterity as a crude , unpopular ...
... dramatic model against which Corneille's critics were prepared to measure his ambitions and accomplishments.23 The condemnation of Le Cid was per- ceived by Corneille , his defenders , and immediate posterity as a crude , unpopular ...
Page 83
... dramatic art are a frontal defense of his own practice as a dramatist , an Oedipal rebellion against Aristotle and his French adepts in the first third of the seventeenth century ( and beyond ) . Corneille - the- critic escapes the ...
... dramatic art are a frontal defense of his own practice as a dramatist , an Oedipal rebellion against Aristotle and his French adepts in the first third of the seventeenth century ( and beyond ) . Corneille - the- critic escapes the ...
Page 88
... dramatic " conflict " in Corneille revolves around situational , not characterological impediments ( e.g. , the famous " tragic flaw " ) to predetermined destinies . impediments removed or overcome , the no - longer - impeded characters ...
... dramatic " conflict " in Corneille revolves around situational , not characterological impediments ( e.g. , the famous " tragic flaw " ) to predetermined destinies . impediments removed or overcome , the no - longer - impeded characters ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers