Continuum, Volume 1AMS Press, 1989 - French literature |
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Page 89
... comedy ( or , in his own first rubric for Le Cid , " tragi - comédie " ) , the aged Corneille empties himself of the very aspects of his art which paradigmatically ill - fits him for inscription into a concept of " French Classicism ...
... comedy ( or , in his own first rubric for Le Cid , " tragi - comédie " ) , the aged Corneille empties himself of the very aspects of his art which paradigmatically ill - fits him for inscription into a concept of " French Classicism ...
Page 159
... performance . Fontenelle externalizes Descartes's image of the spectator , literally pushing the viewer into outer space . As Descartes invites Elizabeth to join him in viewing the human comedy from Classical Discourse 159.
... performance . Fontenelle externalizes Descartes's image of the spectator , literally pushing the viewer into outer space . As Descartes invites Elizabeth to join him in viewing the human comedy from Classical Discourse 159.
Page 234
... comedy which that baffling sage receives nowhere else . Mirrored inversions gain plausibility in the chapter devoted to the beginnings of an encounter between the comic and Anglo- American science , in the form of speculations ...
... comedy which that baffling sage receives nowhere else . Mirrored inversions gain plausibility in the chapter devoted to the beginnings of an encounter between the comic and Anglo- American science , in the form of speculations ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers