Continuum, Volume 1AMS Press, 1989 - French literature |
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Page 8
... become glacial dignity for Stendhal and de Staël , and his ideal of elegant and correct discourse emblematized " le mot noble " that Hugo's " vocable ignoble " ( v.143 ) had purportedly decimated . To be sure , the radical break with ...
... become glacial dignity for Stendhal and de Staël , and his ideal of elegant and correct discourse emblematized " le mot noble " that Hugo's " vocable ignoble " ( v.143 ) had purportedly decimated . To be sure , the radical break with ...
Page 72
... becoming " classics . " - Foreigners are always surprised to learn that it is possible for students in contemporary ... become exclusively familiar and comprehensible to us . Notes 1Paul Valéry , " Situation de Baudelaire , " ( Œuvres ...
... becoming " classics . " - Foreigners are always surprised to learn that it is possible for students in contemporary ... become exclusively familiar and comprehensible to us . Notes 1Paul Valéry , " Situation de Baudelaire , " ( Œuvres ...
Page 87
... become what they are bound to become as they dramatically realize that which is virtual in themselves in relation to their conditions of birth and genius ( their ingenium - i.e . , their " nature " ) . More appropriate than Hegelian ...
... become what they are bound to become as they dramatically realize that which is virtual in themselves in relation to their conditions of birth and genius ( their ingenium - i.e . , their " nature " ) . More appropriate than Hegelian ...
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ancients appear auteurs autres baroque become bien Boileau Bruyère c'est calls choses classicisme classique concept context Corneille criticism critique culture d'une dance dans les Descartes deux dialogue dire discourse discussion essay Esther example expression fact faire fait faut femmes figure final Fontenelle française France French Classicism genre grands Histoire hommes human idea ideal l'art l'esprit language later Latin lettres literary literature littérature Louis XIV meaning MICHIGAN Molière monologic Montaigne moral n'est nature notion nous nouvelle object Paris period perspective peut philosophy play poetic possible preface qu'il qu'on que les question Racine reader reason Roman scolaire seems seen sense siècle speak structure style suggests sujet theory thought tout tradition truth University voice writers