Shakespeare's SoliloquiesFirst published in 1987. |
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Page vi
... nature (ll.ii.1 62—87) CYMBELINE Iachimo in Imogen's bedchamber (11.2111 1—5 1) THE TEMPEST Prospero renounces his magic power ( Valery) SOLILOQUIES FROM THE TRAGEDIES ROMEO AND JULIET Romeo's nocturnal soliloquy in the orchard (Hit. 1 ...
... nature (ll.ii.1 62—87) CYMBELINE Iachimo in Imogen's bedchamber (11.2111 1—5 1) THE TEMPEST Prospero renounces his magic power ( Valery) SOLILOQUIES FROM THE TRAGEDIES ROMEO AND JULIET Romeo's nocturnal soliloquy in the orchard (Hit. 1 ...
Page ix
... the reader to a selection of relevant publications. As this study is meant to be an introduction and also seeks to meet the needs ofthe general reader, considerations of a more theoretical or methodological nature have Preface.
... the reader to a selection of relevant publications. As this study is meant to be an introduction and also seeks to meet the needs ofthe general reader, considerations of a more theoretical or methodological nature have Preface.
Page x
Ingeborg Boltz, Wolfgang Clemen. reader, considerations of a more theoretical or methodological nature have been kept to a minimum. References to Shakespeare's texts throughout are to the Arden editions of individual plays. Details of ...
Ingeborg Boltz, Wolfgang Clemen. reader, considerations of a more theoretical or methodological nature have been kept to a minimum. References to Shakespeare's texts throughout are to the Arden editions of individual plays. Details of ...
Page 2
... nature (III.ii); and Prospero's summoning of the elves and spirits prior to his renunciation Of magic (Vi). All these soliloquies are typical of Shakespeare, and yet they difier from one another to such a degree that no definition ...
... nature (III.ii); and Prospero's summoning of the elves and spirits prior to his renunciation Of magic (Vi). All these soliloquies are typical of Shakespeare, and yet they difier from one another to such a degree that no definition ...
Page 7
... nature. What is meant by 'convention' in this context? It means an agreement between an author and his public, an understanding that certain modes of presentation, intended to achieve certain effects, will be accepted. Convention can ...
... nature. What is meant by 'convention' in this context? It means an agreement between an author and his public, an understanding that certain modes of presentation, intended to achieve certain effects, will be accepted. Convention can ...
Contents
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Common terms and phrases
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words