Shakespeare's SoliloquiesFirst published in 1987. |
From inside the book
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... Language of Shakespeare's Plays Coleridge on Shakespeare Shakespeare Shakespeare's Poetics Fraser Shakespeare The Shakespeare Claimants Iconoclastes That Shakespeherian Rag The Living Image Henn Shakespeare, Spenser, Donne Themes and ...
... Language of Shakespeare's Plays Coleridge on Shakespeare Shakespeare Shakespeare's Poetics Fraser Shakespeare The Shakespeare Claimants Iconoclastes That Shakespeherian Rag The Living Image Henn Shakespeare, Spenser, Donne Themes and ...
Page ix
... language. The extracts cover all periods and genres of his work but, due to its confined scope, this study obviously cannot claim to be anything like a systematic and comprehensive presentation of all the important types of soliloquy in ...
... language. The extracts cover all periods and genres of his work but, due to its confined scope, this study obviously cannot claim to be anything like a systematic and comprehensive presentation of all the important types of soliloquy in ...
Page 1
... language and characterization, and his skill of dovetailing in the construction of scenes. Each soliloquy is connected in different ways and at different levels with the dramatic organism as a whole. There are more than 300 soliloquies ...
... language and characterization, and his skill of dovetailing in the construction of scenes. Each soliloquy is connected in different ways and at different levels with the dramatic organism as a whole. There are more than 300 soliloquies ...
Page 4
... language of the preShakespearean drama, and which can still be discerned in Shakespeare's early plays. The soliloquy of pre-Shakespearean drama was regularly addressed directly to the audience, forging a link between them and the stage ...
... language of the preShakespearean drama, and which can still be discerned in Shakespeare's early plays. The soliloquy of pre-Shakespearean drama was regularly addressed directly to the audience, forging a link between them and the stage ...
Page 11
... language of the soliloquies. What stylistic devices, what levels of speech, what diction, what kinds of metaphor does Shakespeare use in order to convey all that is required by the content, by the ebb and flow of mind and spirit, by the ...
... language of the soliloquies. What stylistic devices, what levels of speech, what diction, what kinds of metaphor does Shakespeare use in order to convey all that is required by the content, by the ebb and flow of mind and spirit, by the ...
Contents
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Common terms and phrases
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words