Shakespeare's SoliloquiesFirst published in 1987. |
From inside the book
Results 1-5 of 7
Page 7
... influence of neoclassicism and awakening rationalism, objections were raised to this stage practice, demanding that thinking aloud should be restricted to short exclamations at most. As early as 1717 the Earl of Mulgrave wrote in his ...
... influence of neoclassicism and awakening rationalism, objections were raised to this stage practice, demanding that thinking aloud should be restricted to short exclamations at most. As early as 1717 the Earl of Mulgrave wrote in his ...
Page 8
... influence of naturalism, and it was not successfully refuted until the 1930s. Muriel Bradbrook was foremost among several English critics who insisted that the assessment of Elizabethan drama should not be made to depend on nineteenth ...
... influence of naturalism, and it was not successfully refuted until the 1930s. Muriel Bradbrook was foremost among several English critics who insisted that the assessment of Elizabethan drama should not be made to depend on nineteenth ...
Page 29
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Page 33
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Page 84
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Contents
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
Other editions - View all
Common terms and phrases
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words