Shakespeare's SoliloquiesFirst published in 1987. |
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Page 2
... already been done1 ~ we would only partially succeed in assigning to them the abundance of individual soliloquies. For all such categories as expositional soliloquy, self-characterizing soliloquy, reflective soliloquy, homily and so on ...
... already been done1 ~ we would only partially succeed in assigning to them the abundance of individual soliloquies. For all such categories as expositional soliloquy, self-characterizing soliloquy, reflective soliloquy, homily and so on ...
Page 3
... already reflects the diversity of this expansive dramatic tradition. Today we tend to associate the soliloquy primarily with meditation and the expression of emotion, with introspection and with what Matthew Arnold called 'the dialogue ...
... already reflects the diversity of this expansive dramatic tradition. Today we tend to associate the soliloquy primarily with meditation and the expression of emotion, with introspection and with what Matthew Arnold called 'the dialogue ...
Page 9
... already know, fulfilling at once the expectations of the audience and the demands of dramatic art. Yet the weight of conviction and the particular impact of a soliloquy can never be explained by a single ingredient, but only by the ...
... already know, fulfilling at once the expectations of the audience and the demands of dramatic art. Yet the weight of conviction and the particular impact of a soliloquy can never be explained by a single ingredient, but only by the ...
Page 26
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Contents
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Common terms and phrases
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words