Essays in Criticism

Front Cover
University Press of the Pacific, 2002 - Literary Criticism - 396 pages
Excerpt from Essays in Criticism: First Series

Several of the Essays which are here collected and reprinted had the good or the bad fortune to be much criticised at the time of their first appearance. I am not now going to inflict upon the reader a reply to those criticisms for one or two explanations which are desirable, I shall elsewhere, perhaps, be able some day to find an opportunity; but, indeed. It is not in my nature, - some of my critics would rather say, not in my power, - to dispute on behalf of any Opinion, even my own, very obstinately. To try and approach truth on one side after another, not to strive or cry, nor to persist in pressing forward, on any one side, with violence and self-will, - it is only thus, it seems to me, that mortals may hope to gain any vision of the mysterious Goddess, whom we shall never see except in outline, but only thus even in outline. He who will do nothing but fight impetu ously towards her on his own, one, favourite, parti cular line, is inevitably destined to run his head into the folds of the black robe in which she is wrapped.

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About the author (2002)

Matthew Arnold, a noted poet, critic, and philosopher, was born in England on December 24, 1822 and educated at Oxford University. In 1851, he was appointed inspector of schools, a position he held until 1880. Arnold also served as a professor of poetry at Oxford, during which time he delivered many lectures that ultimately became essays. Arnold is considered a quintessential proponent of Victorian ideals. He argued for higher standards in literature and education and extolled classic virtues of manners, impersonality and unanimity. After writing several works of poetry, Arnold turned to criticism, authoring such works as On Translating Homer, Culture and Anarchy, and Essays in Criticism. In these and other works, he criticized the populace, especially the middle class, whom he branded as "philistines" for their degrading values. He greatly influenced both British and American criticism. In later life, he turned to religion. In works such as Literature and Dogma and God and the Bible, he explains his conservative philosophy and attempts to interpret the Bible as literature. Arnold died from heart failure on April 15, 1888 in Liverpool, England.

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