CHATTO & WINDUS, PICCADILLY. 19 MEYRICK'S PAINTED ILLUSTRATIONS OF ANCIENT ARMS AND ARMOUR: A Critical Inquiry into Ancient Armour as it existed in Europe, but particularly in England, from the Norman Conquest to the Reign of Charles II.; with a Glossary, by Sir S. R. MEYRICK. New and greatly improved Edition, corrected throughout by the Author, with the assistance of ALBERT WAY and others. Illustrated by more than 100 Plates, splendidly Illuminated in gold and silver; also an additional Plate of the Tournament of Locks and Keys. Three Vols., imperial 4to, half-morocco extra, gilt edges, £10 10s. "While the splendour of the decorations of this work is well calculated to excite curiosity, the novel character of its contents, the very curious extracts from the rare MSS. in which it abounds, and the pleasing manner in which the author's antiquarian researches are prosecuted, will tempt many who take up the book in idleness, to peruse it with care. No previous work can be compared, in point of extent, arrangement, science, or utility, with the one now in question. 1st. It for the first time supplies to our schools of art, correct and ascertained data for costume, in its noblest and most important branch-historical painting. 2nd. It affords a simple, clear, and most conclusive elucidation of a great number of passages in our great dramatic poets-ay, and in the works of those of Greece and Rome-against which commentators and scholiasts have been trying their wits for centuries. 3rd. It throws a flood of light upon the manners, usages, and sports of our ancestors, from the time of the Anglo-Saxons down to the reign of Charles the Second. And lastly, it at once removes a vast number of idle traditions and ingenious fables, which one compiler of history, copying from another, has succeeded in transmitting through the lapse of four or five hundred years. "It is not often the fortune of a painful student of antiquity to conduct his readers through so splendid a succession of scenes and events as those to which Dr. Meyrick here successively introduces us. But he does it with all the ease and gracefulness of an accomplished cicerone. We see the haughty nobles and the impetuous knights we are present at their arming-assist them to their shields-enter the wellappointed lists with them-and partake the hopes and fears, the perils, honours, and successes of the manly tournaments. Then we are presented to the glorious damsels, all superb and lovely, in 'velours and clothe of golde and dayntie devyces, bothe in pearls and emerawds, sawphires and dymondes, and the banquet, with the serving men and bucklers, servitors and trenchers-kings and queens-pageants, &c. &c. We feel as if the age of chivalry had returned in all its glory."-Edinburgh Review. MILTON'S COMPLETE WORKS, Prose and Poetical. With an Introductory Essay by ROBERT FLETCHER. Imp. 8vo, with Portraits, cl. extra, 155. "It is to be regretted that the prose writings of Milton should, in our time, be so little read. As compositions, they deserve the attention of every man, who wishes to become acquainted with the full power of the English language. They abound with passages compared with which the finest declamations of Burke sink into insignificance. They are a perfect field of cloth of gold. The style is stiff with gorgeous embroidery. Not even in the earlier books of the 'Paradise Lost' has the great poet ever risen higher than in those parts of his controversial works in which his feelings, excited by conflict, find a vent in bursts of devotional and lyric rapture. It is, to borrow his own majestic language, 'a sevenfold chorus of hallelujahs and harping symphonies.'"-MACAULAY. MITFORD'S (Mary Russell) COUNTRY STORIES. With 5 Steel-plate Illustrations. Fcap. 8vo, cloth extra, gilt edges, 3s. 6d. MONTAGU'S (Lady Mary Wortley) LETTERS AND WORKS. 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