The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 13
... soul that has hopefully followed its form - its impersonation of the highest and best - all in despondency - its thoughts all refuted , its dreams all dissipated . Then comes another Jesus - another , but the same — the same highest and ...
... soul that has hopefully followed its form - its impersonation of the highest and best - all in despondency - its thoughts all refuted , its dreams all dissipated . Then comes another Jesus - another , but the same — the same highest and ...
Page 131
... soul to soul , " a glory greater than the one owned by the widely celebrated Saint Theresa , who can only speak " down " -from more saintly to less saintly , rather than from soul to soul , in the " same embroiled medium . " Dorothea ...
... soul to soul , " a glory greater than the one owned by the widely celebrated Saint Theresa , who can only speak " down " -from more saintly to less saintly , rather than from soul to soul , in the " same embroiled medium . " Dorothea ...
Page 163
... soul in Hades was imagined as having all the characteristics of the person at the time of death : and nothing can be more natural than that Antigone in the first moment of her sorrow should speak of her father as if he still needed ...
... soul in Hades was imagined as having all the characteristics of the person at the time of death : and nothing can be more natural than that Antigone in the first moment of her sorrow should speak of her father as if he still needed ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes