The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 50
... seen , as well , as her namesake goddess , Diana , who does indeed go with the moon . Likewise , Hetty cannot be just Hetty , but the larger - than - life tragic heroine , who speaks at last for herself and brings light at last to the ...
... seen , as well , as her namesake goddess , Diana , who does indeed go with the moon . Likewise , Hetty cannot be just Hetty , but the larger - than - life tragic heroine , who speaks at last for herself and brings light at last to the ...
Page 85
... seen as spiritual exiles , devoted to a proud pledge of conduct within a resisting context- in Bardo's case , the scholarly world of Florence ; in Romola's case , her own marriage . Like Lydgate , she wishes to take booklearning and ...
... seen as spiritual exiles , devoted to a proud pledge of conduct within a resisting context- in Bardo's case , the scholarly world of Florence ; in Romola's case , her own marriage . Like Lydgate , she wishes to take booklearning and ...
Page 95
... seen , that she chose an almost un- known Italian artist , when she had so many other famous ones to choose from , not only because she could then play on history more easily but also because she could carry her point concerning ...
... seen , that she chose an almost un- known Italian artist , when she had so many other famous ones to choose from , not only because she could then play on history more easily but also because she could carry her point concerning ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes