The Quest for Anonymity: The Novels of George EliotIn a new treatment of Eliot's booklength fiction, Alley argues that from the very moment she adopted a male pseudonym through to the major epic and tragic novels of her later life, the transcendence of fame was her major consideration. Focusing on one novel in each chapter, the study shows how the plights of Eliot's heroines and heroes do not end in frustration but in an affirmation of anonymous achievement, "the growing good of the world." For Eliot, heroism emerges through disclosure, rather than grandly executed action, and since the revelation requires discerning effort on the part of those watching, both observer and observed are celebrated. |
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Page 32
... scene , with Caterina included in the landscape , is one of the idyll , not the dingy or middlebrow snapshot . The reader is most noticeably called upon to create the scene with the narrator , not only through her or his imagination of ...
... scene , with Caterina included in the landscape , is one of the idyll , not the dingy or middlebrow snapshot . The reader is most noticeably called upon to create the scene with the narrator , not only through her or his imagination of ...
Page 79
... scene shows Godfrey to be morally illegitimate . 13 In the heated debate between the father - by - blood and the father- by - love , we expect Silas to be more awkward and less articulate than he is , and we are pleasantly surprised to ...
... scene shows Godfrey to be morally illegitimate . 13 In the heated debate between the father - by - blood and the father- by - love , we expect Silas to be more awkward and less articulate than he is , and we are pleasantly surprised to ...
Page 133
... scene between Rosamond and Dorothea was the one which , according to Cross , Eliot used to illustrate the " not herself " that visited when she composed . While speculations are sometimes idle , it is gratifying and perhaps even ...
... scene between Rosamond and Dorothea was the one which , according to Cross , Eliot used to illustrate the " not herself " that visited when she composed . While speculations are sometimes idle , it is gratifying and perhaps even ...
Contents
Acknowledgments | 9 |
Scenes of Clerical Life and the Art of Indirect | 27 |
Heroic Perception in Adam Bede | 40 |
Copyright | |
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achieve acknowledge action Adam Adam Bede Aeschylus allusion anonymous heroism apparent artist balance becomes begins better called Casaubon chapter character clear close comes complete context continuity create critics Daniel Deronda death develop Dorothea earlier early effect Esther example experience fact father feeling Felix female fiction final Floss frequently George Eliot given gives Greek tragedy growing Gwendolen hand hero heroic human ideal imagination important Irwine later learned light living look Lydgate Maggie male means memory Middlemarch Mill mind moral narrative narrator nature never novel offers once past perceive perhaps present Press reader reading represents role Romola scene seems seen sense serves shows Silas Silas Marner soul speaks spirit story suffering suggest sympathy things thought tion tragedy true turn University vision voice whole woman writes